WU I-YEH | 吳 宜 曄
    #DAILY TECH
  • Generative Dataproject cover image
  • Adaptationproject cover image
  • In the futureproject cover image
  • Dollar Postproject cover image
  • #REAL-TIME IMAGE
  • Machine Whispers 2015project cover image
  • Machine Whispersproject cover image
  • WTTIOTRproject cover image
  • #NATURE
  • The brightness of the dark skyproject cover image
  • Colorsproject cover image
  • Waveproject cover image
  • Waterfallproject cover image
  • #SCREENS
  • Never Never Landproject cover image
  • I was wonderingproject cover image
  • Fallingproject cover image
  • #SUNFLOWER
  • Segments of violenceproject cover image

  • CV: Download
CONTACT: wuiyeh at gmail dot com
    #DAILY TECH
  • Generative Dataproject cover image
  • Adaptationproject cover image
  • In the futureproject cover image
  • Dollar Postproject cover image
  • #REAL-TIME IMAGE
  • Machine Whispers 2015project cover image
  • Machine Whispersproject cover image
  • WTTIOTRproject cover image
  • #NATURE
  • The brightness of the dark skyproject cover image
  • Colorsproject cover image
  • Waveproject cover image
  • Waterfallproject cover image
  • #SCREENS
  • Never Never Landproject cover image
  • I was wonderingproject cover image
  • Fallingproject cover image
  • #SUNFLOWER
  • Segments of violenceproject cover image

  • CV: Download
CONTACT: wuiyeh at gmail dot com
project cover image
project cover image

@ MoNTUE, Taipei | 北師美術館,台北

project cover image

@ MoNTUE, Taipei | 北師美術館,台北

Never Never Land, 2019

7-channels video installation

In Wu I-Yeh’s never_never_land, he composed several short verses that are derived from the time and space existed during the internal and external interaction of images he created for this work. Stillness lies in flow and the flow overlaps with stillness; these images are listed in sequences to endow a meaning. Yet the constantly changing sequence is disrupting the narrative itself. The images created by Wu are not rooted in nature or realism but are instead originated from the accumulation of data. The interaction between messages does not stem from natural exchanges in various groups but from the overlapping of routes in coding. While we are re-establishing how they perceive the outside world, we also constitute the possibility of a new understanding of images and verify the phenomenon, experience, senses and meaning brought upon by it. Perhaps those images can only be integrated from the Internet and be given a meaning when they can converge and exist in the same cluster in a specific time and space.

 

Curator: Wang Han-Fang | 王韓芳

MERCURIAL BOUNDARIES | 即溶生活 @ MoNTUE, Taipei, Taiwan. 4.27-6.23.2019