WU I-YEH | 吳 宜 曄
    #DAILY TECH
  • project cover image
    Generative data
  • project cover image
    Adaptation
  • project cover image
    In the future
  • project cover image
    Dollar-Post
  • #REAL-TIME IMAGE
  • project cover image
    Machine Whispers 2015
  • project cover image
    Machine Whispers
  • project cover image
    WTTIOTR
  • #NATURE
  • project cover image
    The brightness of the dark sky
  • project cover image
    Colors
  • project cover image
    Wave
  • project cover image
    Waterfall
  • #SCREENS
  • project cover image
    Never never land
  • project cover image
    I was wondering
  • project cover image
    Falling
  • #SUNFLOWER
  • project cover image
    Segments of violence

  • CV: Download
CONTACT: wuiyeh at gmail dot com
    #DAILY TECH
  • project cover image
    Generative data
  • project cover image
    Adaptation
  • project cover image
    In the future
  • project cover image
    Dollar-Post
  • #REAL-TIME IMAGE
  • project cover image
    Machine Whispers 2015
  • project cover image
    Machine Whispers
  • project cover image
    WTTIOTR
  • #NATURE
  • project cover image
    The brightness of the dark sky
  • project cover image
    Colors
  • project cover image
    Wave
  • project cover image
    Waterfall
  • #SCREENS
  • project cover image
    Never never land
  • project cover image
    I was wondering
  • project cover image
    Falling
  • #SUNFLOWER
  • project cover image
    Segments of violence

  • CV: Download
CONTACT: wuiyeh at gmail dot com
project cover image
project cover image

@ MoNTUE, Taipei | 北師美術館,台北

project cover image

@ MoNTUE, Taipei | 北師美術館,台北

Never never land, 2019

7-channels video installation

In Wu I-Yeh’s never_never_land, he composed several short verses that are derived from the time and space existed during the internal and external interaction of images he created for this work. Stillness lies in flow and the flow overlaps with stillness; these images are listed in sequences to endow a meaning. Yet the constantly changing sequence is disrupting the narrative itself. The images created by Wu are not rooted in nature or realism but are instead originated from the accumulation of data. The interaction between messages does not stem from natural exchanges in various groups but from the overlapping of routes in coding. While we are re-establishing how they perceive the outside world, we also constitute the possibility of a new understanding of images and verify the phenomenon, experience, senses and meaning brought upon by it. Perhaps those images can only be integrated from the Internet and be given a meaning when they can converge and exist in the same cluster in a specific time and space.

 

Curator: Wang Han-Fang | 王韓芳

MERCURIAL BOUNDARIES | 即溶生活 @ MoNTUE, Taipei, Taiwan. 4.27-6.23.2019